Pain and Gain (15) **

Mel Gibson as Kurt Mayron, Mark Wahlberg as Dusty Mayron, Will Ferrell as Brad Taggart and John Lithgow as Don Taggart in Daddy's Home 2. Picture: PA Photo/Paramount Pictures/Claire Fogler.

CHERYL GIBBS: Not a great film, but I still balled my eyes out

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Based on an outlandish true crime, comedy caper Pain & Gain seems a snug fit for director Michael Bay.

Ever since he blitzkrieged the big screen with his 1995 buddy cop movie Bad Boys, the Los Angeles-born film-maker has elevated macho posturing and wanton destruction to preposterous heights.

Bad guys don't look at explosions in true-crime tale Pain and Gain.

Bad guys don't look at explosions in true-crime tale Pain and Gain.

He reduced Alcatraz to rubble in The Rock, threatened to obliterate the planet in Armageddon and then orchestrated mayhem on an apocalyptic scale with his recent Transformers trilogy.

So this unlikely tale of three steroid-pumped Miami gym bunnies, who live the American dream by kidnapping a wealthy businessman and torturing their hostage for his fortune, allows Bay to indulge his usual visual excesses while reducing virtually all female characters to scantily clad sex objects or dim wits.

Gender equality and nuance remain estranged from Bay’s testosterone-fuelled work.

Wheeler dealer Danny Lugo (Mark Wahlberg) secures a position as manager of the Sun Gym, where he grows envious of the rich and fabulous lifestyle of some of his unfit clients.

In particular, Danny yearns to splash the cash like Victor Kershaw (Tony Shalhoub).

So Danny schemes to abduct Kershaw, aided by two fellow adrenaline junkies: personal trainer Adrian Doorbal (Anthony Mackie), who has been rendered impotent through steroid abuse, and ex-con Paul Doyle (Dwayne Johnson), who has turned his life around on the outside thanks to Jesus.

The trio quickly discovers that Kershaw won’t sign over his assets without a fight and scenes of torture escalate into attempted murder but their target proves remarkably resilient and escapes.

Based on a series of articles published in the Miami New Times, Pain & Gain is an ordeal.

Screenwriters Christopher Markus and Stephen McFeely mix a heady cocktail of violence and dark humour.

Wahlberg, Johnson and Mackie embrace the dim-wittedness of their characters by forgetting to act. The 129-minute running time is as exhausting as any gym workout, but Bay’s film is all pain with almost nothing to gain.