Bristol-based Aardman Studios works its stop-motion animated magic on a colourful big screen adventure for the mischievous sheep, who first appeared in Wallace and Gromit’s 1995 escapade A Close Shave and has been baad to the bone in a self-titled CBBC series since 2007.
Drawing loving inspiration from other Aardman films including Chicken Run, Shaun The Sheep Movie is a shear delight, melding slapstick and subtler humour to appeal to young fans and their wranglers.
Directors Mark Burton and Richard Starzack shepherd this boisterous romp through various twists and turns at a breathless pace.
Stop-motion visuals burst with colour and action sequences are orchestrated with mind-boggling technical precision.
As usual, Shaun is at the centre of the madcap action.
The flock grows tired of the daily routine on Mossy Bottom Farm under the watchful eye of Bitzer the sheepdog.
So the animals hoodwink the Farmer into taking a well-deserved day off so they can do the same.
Unfortunately, this cunning plan goes awry and the Farmer ends up with a nasty bout of memory loss after a high-speed journey to The Big City inside a runaway caravan.
Off the hoof, Shaun and his fleecy friends board the 62 bus from Mossy Bottom to the metropolis, determined to bring their beloved master back home.
Unfortunately, they attract the attention of a nasty animal containment officer called Trumper, who doesn’t want any farmyard escapees on the lamb on his patch.
Aided by an orphan dog named Slip, the sheep disguise themselves as humans to pull the wool over the eyes of unsuspecting residents of The Big City and track down the Farmer.
Back at Mossy Bottom, The Naughty Pigs run amok in the farmhouse, oblivious to the hare-brained antics of the other four-legged residents.
With half-term grazing on the horizon, Shaun The Sheep Movie will have families flocking in droves to local cinemas.
There are some lovely interludes here like Shaun’s temporary incarceration in an animal shelter, which also houses a psychotic cat from the same litter as Hannibal Lecter and a dog with BARK and BITE tattooed on its knuckles.
As with other Aardman offerings, the animators’ imprints are occasionally visible in the expressive clay protagonists, which is part of the film’s undeniable charm. Ewe won’t be disappointed.