South Downs National Park sculptures inspire a walk on the wild side

Giant dragonflies, reptiles, a grasshopper, and erm, a sheeppig, are among the creatures you could bump into if you follow a trail through South Downs National Park.
Jane Wilmott from Sussex Wildlife Trust and Janet Gorin, Heathlands Reunited voluteer, at the Sheeppig at GraffhamJane Wilmott from Sussex Wildlife Trust and Janet Gorin, Heathlands Reunited voluteer, at the Sheeppig at Graffham
Jane Wilmott from Sussex Wildlife Trust and Janet Gorin, Heathlands Reunited voluteer, at the Sheeppig at Graffham

Intricate pieces of art that tell the story of the history, wildlife and people of heathlands have been unveiled and are now ready to be explored.

Inspired by stories from communities and drawing upon sources as diverse as the poet Tennyson and a 391-year-old map, the educational trail links seven precious heathland sites in the national park.

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The Heathlands Sculpture Trail aims to encourage people to visit their local heathland and learn more about them – as well explore other heaths in the area.

Cricket at Wiggonholt.Cricket at Wiggonholt.
Cricket at Wiggonholt.

The beautiful sandstone carvings tell the story of why heaths are so important – as commonland enjoyed by people throughout the centuries and as a rich haven for biodiversity, including rare insects, birds and all 12 of Britain’s native reptiles and amphibians.

The trail, which includes a downloadable leaflet for walkers, links up heaths at Wiggonholt, Stedham Common, Lavington Plantation, Shortheath Common, Graffham Common, Black Down and Woolbeding.

The project has been spearheaded by the lottery-funded Heathlands Reunited Team, working alongside the RSPB, National Trust, Hampshire County Council and Sussex Wildlife Trust.

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The tactile artwork has been inspired by information and materials gathered from site owners and managers, local communities, school workshops and volunteers conducting oral history interviews and researching archived material.

Cranberry on the Mire at Shortheath.Cranberry on the Mire at Shortheath.
Cranberry on the Mire at Shortheath.

And each sculpture has a coded plaque that can be used to watch a video about each heath on people’s mobile phones.

One of the carvings, named the Sheeppig, is inspired by a map of the Graffham area that was drawn in 1629, during the reign of Charles I.

The beautiful map, introduced to award-winning sculptor Graeme Mitcheson by a Sussex Wildlife Trust reserve manager during a tour of the area, features tiny drawings of animals appearing to be standing on top of one another. A volunteer from the project then found the original archive copy of the map in the West Sussex Records office and Graeme spent many hours creating the artwork.

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Katy Sherman, activities and engagement officer for Heathlands Reunited, says: ‘We’re very excited to have all the carvings in place and have already had some great feedback – many people wanting to pose with the artwork for photographs. The whole ethos behind this trail is to encourage people to learn more about their local heathland and how they are all linked as one habitat.

Resting Reptiles at Woolbeding.Resting Reptiles at Woolbeding.
Resting Reptiles at Woolbeding.

‘Historically these sites were more joined up and we hope this trail helps people see this incredible landscape as a whole – and why it’s worth saving!

‘Although often just a stone’s throw from urban areas, these heaths are actually a habitat as rare as the rain forest and now cover just one per cent of the national park.

‘Within that one per cent, however, is some of the richest and rarest biodiversity you’ll find anywhere in Britain, with species such as the sand lizard, natterjack toad, field cricket and Dartford warbler.’

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The carvings vary between 2ft and 4ft in height and the sandstone has been chosen to blend visually with the heathlands.

South Downs National Park heathland - Stedham CommonSouth Downs National Park heathland - Stedham Common
South Downs National Park heathland - Stedham Common

Katy adds: ‘Heathlands only exist today because of human intervention over thousands of years. This means that if heathlands aren’t actively managed by people – by local communities, conservation groups, the National Park Authority or others – they will be lost alongside the rare and endangered species that live there.

‘We hope these beautiful carvings provide local communities with a sense of ownership and encourage people to care for them for future generations to enjoy.’

The walk leaflets are also available from the South Downs Centre in Midhurst.

The pieces of art are:

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* Black Down – Tennyson Quote: Probably the most famous admirer of the common and nearby former resident was poet Alfred Lord Tennyson. This carving is inspired by some of his words.

* Graffham – Sheeppig: This sculpture reflects the former use of the site as grazing land but also refers to the rare map of the vicinity.

Tennyson at Black Down.Tennyson at Black Down.
Tennyson at Black Down.

* Lavington – Lizard: Inspired by the oral histories detailing the abundance of snake and lizard species that thrive on the common. The low-lying carving will be quite subtle in the summer months with longer grass, but will become more apparent in the winter as grass dies away.

* Stedham – Dragonflies Rest: Paying homage to the importance of insects to the commons at Stedham, the design is a sculptural seat inspired by insect wings.

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* Woolbeding – Resting Reptiles: Inspired by stories of grass snakes, adders and slow worms on the heathlands, as well as the many oak and birch trees not found at other heathland sites.

* Shortheath – Cranberry on the mire: Inspired by the diverse range of flora and fauna at the common, including the thriving wild cranberry and flowering water crowfoot.

* Wiggonholt – Cricket: Inspired by works to reintroduce the field cricket and encourage the regeneration of heather. The field cricket is an extremely rare, declining and threatened insect in the UK which depends on heathland habitat. The work to help field crickets has been done as part of the Heritage Lottery funded Back from the Brink project.

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