Film of the Week: Planes 2:Fire & Rescue

Lee Hockaday, commercial director at St Vincent College, Gosport

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If the first Planes film, a spin-off from Pixar’s Cars, appeared to be propelled by merchandising opportunities rather than creative necessity, this action-packed sequel attempts to stand on its own landing gear with a stirring tale of heroism and self-sacrifice.

As the title suggests, Planes 2: Fire & Rescue immerses us in the daredevil world of fire-fighting, honouring the men and women – and aircraft – who ‘fly in when others are flying out’.

Blador Ranger, Dipper and Dusty (front) take to the skies

Blador Ranger, Dipper and Dusty (front) take to the skies

Director Bobs Gannaway employs the 3D format to striking effect in aerial sequences and the animation of raging infernos is impressively realistic.

However, there’s an inescapable feeling that this gung-ho adventure should have taken a flight path directly to the home formats rather than the big screen.

Soaring over Propwash Junction with his mentor Skipper (voiced by Stacy Keach), Dusty Crophopper (Dane Cook) suffers a malfunction.

Back at the hangar, trusted mechanic Dottie (Teri Hatcher) diagnoses a failing gearbox, putting an end to his illustrious racing career.

Dusty angrily defies Dottie and careens into the town’s airport, causing a small fire.

The incident casts doubt on the ability of veteran fire and rescue truck Mayday (Hal Holbrook) to service the airport’s needs.

So Dusty agrees to abandon his racing dreams in order to earn his certificate as the town’s firefighting plane.

The plucky crop duster heads to Piston Peak National Park to train under helicopter Blade Ranger (Ed Harris), who was once a TV star, and his team including scooper Lil’ Dipper (Julie Bowen), helicopter Windlifter (Wes Studi) and ex-military transport plane Cabbie (Dale Dye).

Planes 2: Fire & Rescue is geared towards younger viewers, hammering home the importance of team work and the valuable contribution of emergency services, but there are a handful of verbal and visual gags to engage older audiences.

On the whole, though, Gannaway’s sequel lacks the sophistication and emotional richness of yesteryear’s Frozen or other recent Pixar fare.