REVIEW The Renaissance ChoirSt Peter's Church, Petersfield
This choir does lush chording and hushed dynamics to considerable
effect, as shown in Schofield’s ‘Stream of Life’, and they are at
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Hide Adtheir most reliable in music made of conjunct lines, as in the
plainsong-inspired Duruflé motets. They were also convincing in the
neatly structured homophony of Harris’s ‘Bring us, O Lord God.’ But,
what they’re not always so good at is non-Latin diction and, as well
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Hide Adas missing consonants in some English words (where was the ‘t’ in
light, the ‘th’ in death?), there was scope for considerably more
engagement with the French language in Fauré’s Cantique de Jean
Racine.
However, there’s much to be said for the old adage of keeping the best
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Hide Adtill last, and they gave a heartfelt yet spirited account of Poulenc’s
Gloria to close their concert. The accompaniment was delivered
skillfully by pianist Karen Kingsley with haunting soprano solos by
the excellent Susan Yarnall, the choir singing dramatically yet
equally often with delicacy. An enjoyable evening playing to a
deservedly full house.