A look at #Corona Chronicles - Portsmouth artist Kevin Dean's record of 'quite a crazy year'

As he sat in a box at The Kings Theatre, Southsea, for our own celebration of the arts and culture, The Guide Awards, drawing his fellow nominees and taking in the atmosphere, he had no idea the project would soon take an unexpected turn.

He had planned to attend and document events like the local elections, Victorious Festival, Remembrance, and many more throughout 2020.

But as the pandemic began to bite, his commissioned work dried up. And so the 61-year-old artist started regularly posting his drawings and paintings documenting the developing crisis, along with his written thoughts, on Facebook and Instagram.

It has become a chronicle of this most unusual of years.

Now Kevin is about to release a 120-page book, #Corona Chronicles, compiling his artwork and writing from 2020.

‘In a way the project has become more important,’ he says. ‘Now it's a poignant reminder of what has become quite a crazy year – even though this is probably going to continue on into next year.

‘I started putting the drawings up on Instagram and Facebook and was quite enjoying the process, and I also started writing more as well, which I'd not done to any great degree before. I started enjoying the writing as much as making the pictures.’

A graduate of The Royal College of Art, Kevin is a full-time artist – an illustrator, designer and teacher. In 2001, he designed most of the marble decoration at The Sheikh Zayed Grand Mosque in Abu Dhabi, one of the largest mosques in the world. He also started The Omega Art School with fellow Portsmouth-based artists Sadie Tierney, Chris Wood and Jacqui Mair in January.

‘This sort of reportage drawing, I'd not done it for a while. I used to do them when I was a freelancer in London, but a lot of my work over the past few years has come from my work in the Middle East.’

In August one of Kevin’s friends, who’d seen the social media posts, invited the artist up to Stoke-on-Trent to see how the pandemic had affected things there.

‘I went up there for a few days and while I was there, he said: these posts are really fun and informative, why don't you get them published?

‘I said lots of people have said that, but it's quite difficult to get a book published, and I don't really want to go down the vanity publishing route where I end up spending thousands on something which might not sell.’

His friend showed him Kickstarter, an online crowdfunding platform.

‘My friend kept nagging me to do it, so a few weeks ago I started putting it all together and now it's all out there.’

Kevin set a target of £5,700 to cover the costs of publishing the chronicles – he will only start making money on the project if it raises more than that.

‘It's a bit stressful actually because you put yourself in this position where you're asking people to put money towards a project which is quite personal – you've got skin in the game, suddenly, whereas before it was just an enjoyable thing putting posts online.’

The Kickstarter needed to hit its goal by November 29 for Kevin to get the money, and it passed its goal on Thursday evening, but there is still time to buy.

When it’s done – Kevin is continuing to add to the project right up to the deadline – the finished product will blend the personal with his take on wider events.

As such his family, with wife Zirrinia and their sons Mataio, Kai and Andre feature, as do portrayals of the Black Lives Matter protest in Guildhall Square, the weekly clap for carers, and an Extinction Rebellion march in London, among others.

The nature of the project sees Kevin ready to draw whenever something piques his interest.

‘If I can I'll take my bag out with me – I have a waterproof bag to keep my paper and paints in, and a little stool. If it's not convenient or I don't want to be seen to be in the way, then I might draw in my sketchbook.

‘Then on other occasions, it's impossible to draw quick enough, like with the clapping pictures I had to take pictures of individuals and then did a drawing of the street itself and slotted them in later.’

And he reveals not all of his subjects were willing.

‘My boys aren't that keen on being included,’ says Kevin with a laugh, ‘but they're in there too, and my wife.